our loyal companion steve parker continues to raise awareness off what he can do in the scene. this “interplanetary dust lp” is another example of what he is capable of. a 2x12” containing 8 powerful tracks that fits right into the resume of our widely ranged techno collection. first record on white, 2nd on black vinyl.

limited vinyl release with cd-copy of the album included.

amsterdam-based duo dj windows xp provide the next ep for live ones, serving up apple infused, sample driven rhythms that ll pop cherries you never knew you had. the pair have previously offered provoking selections on dj haus imprint e-beamz and the amsterdam based who s susan to high acclaim. the biggest contradiction is that none of their music is actually produced on a windows computer - and quite rightly so. what will come next from the duo depends entirely on whether they finally decide to perform that software update.
12 inch vinyl manila sleeve + hand stamp

norwegian duo smerz had a prolific 2017, which saw the copenhagen-based henriette and catharina play the likes of club 2 club, moma ps1, sell out half life parties of their own, as well as release five new tracks along with five self-directed videos. clearly not ones to wait around, smerz go in to the new year with their have fun ep on the horizon for release via xl recordings in march 2018. with their unique electronic sound blending deconstructed club music, minimalist r&b and experimental pop and techno, smerz are also prolific djs who s djing style takes a similar route. mixing live vocals over their own music and interlaced with choice cuts aimed squarely at the dancefloor, this duo dj hard in a live setting and are thrilling to watch as well as listen. smerz currently host their own monthly nts radio residency, mixing cutting-edge dance music and darker tones, in what is turning in to their trademark style.

g perico has established himself as one of the most promising and consistently great voices in west coast hip hop over the past year. having already released a full-length album in all blue earlier this year with us, we re now back with a vinyl pressing of his latest record. 2 tha left picks up where all blue left off and showcases a prolific young rapper who is relentless about honing his craft and is getting better with every new verse he records. the album features la rappers teecee4800, ad, and polyester alongside northern california s nef the pharaoh and mozzy in addition to the legendary new orleans rapper curren$y. production on the project is characterized by a modern take on classic g-funk courtesy of longtime collaborators poly boy, polyester, westside webb, and cardo amongst others.
pressing on blue vinyl.

fantastic deep house / detroit house mit collaborationen wie mit artists wie santonio, denzio, mike anderson...

when daniel kyo was producing galaxy in his studio he stood up and felt it. following several months of what he calls a -musical reset-, he knew he d hit something special. after releasing music for a decade, core might be the boldest step in his career. a new identity in which all his influences finally come together into an absolutely fresh perspective. melodies are still the main driving force of the five cuts in galaxy , but the approach is more raw and heartfelt, injecting the kind of vivacity that determines if a track it s simply a product of it s time or if it becomes timeless. borrowing elements from the cosmic side of techno, the darkest corners of trance and the glacial atmospheres of synthwave, all of the tracks in this ep ooze the kind of immediacy and transcendence you can only find in the best 90 s dance music. driven by is interest in astronomy, daniel says he tried to achieve an -outer space feeling-, we can only add that embracing the void was never so gratifying. the 12- comes housed in a sleeve designed by barcelona-based artist alicia carrera.

seven years ago, unbalance created his own label as a base for his musical ideas, a platform to play around with the conception of what -techno- is and would be alongside his own creative progression. come to present day and the label is now at its ninth release, reaching a point where the line of accumulated experiences must be drawn in the sand — and the experiences of previous projects and releases lead to venerable conclusion. enter ten, an album of internalized strife that was created during a period of big changes in the artist s life. between enduring personal experiences, his creative output veering between his straightforward club eccentricities and subdural sensibilities, unbalance cultivates a symbiotic link between sounds played and sounds portrayed — whilst paying tribute to the essence of groove, vibration and the hypnotic unknown that exists to balance the scales. this album will be the final point in the label s journey into the depths of multifaceted techno music.

a new year means new musical horizons here at the bordello. curses formed his sound in the distortion and sweat of back alley dive bar bars amidst the crash of guitars and the audible gulp of beer. hints of disco and wave balance this rougher edge, smoothing down those creased lines for a style that adheres to no boundaries. -pedal to the metal and don t look back- is a perfect introduction to curses multifaceted sound. beats orbit burbling bass and brash strings in a work of dreamy hypnotics. -knife in teeth- comes from a similarly shadowy lair. dark bars are further inked by industrial percussion in a track born on the factory floor to strict ebm parents. terr takes on -pedal to the metal and don t look back- and does the original proud. bass rumbles to the tune of a guttering engine before lighter notes take hold. murky currents are cleared by bright synth blasts in this uplifting remake. the bird of paradise closes the ep with his psychedelic take on -knife in teeth.- drums take on a more sinister tone as tribal rhythms give rise to jungle imagery and the immediate threat of what might lurk behind those supposedly innocent sounds.

following on from the runaway success of le-edits number 1, dimitri eases us into 2018 with style and grace by presenting us with another fine set of reworkings from deep within the vaults. in this era of cheap and nasty bootlegs, badly looped breakdowns and bedroom producers butchering the classics with no soul or quality control it was time for a change, an antidote. le-edits is exactly that, a platform for dimitri to express his appreciation of this most influential musical artform in the best way possible - utilising the master tapes, pressing onto virgin vinyl, taking extra care with the label aesthetics and everything else in-between. what you hold in your hands is a labour of love, a journey! once the needle hits the groove and you re immersed in the music it will all make sense, you will feel the force of the chic in the music!

the second album from pet shop boys, originally released in 1987, now back as remastered reissue on 180 gram vinyl.

we are super glad and honored to welcome an awesome producer in our family: eduardo de la calle. eduardo is not a beginner, hes been releasing music since 2001 on some of the most exciting labels on the globe: plane e, international dj gigolo, turbo, hivern, mule or nonplus… this 4 tracker is a perfect summary of what eduardos music is about: techno, incredible atmosphere and sonic landscapes. here, no fancy titles just numbers, remembering us whats the most important in this: music.

this initial release on the new futurepast label marks davy’s first output as a producer, crystallizing his endeavours in the studio and bearing witness to his long-standing experiments in electronic music. built between london and berlin over the last four years, the long now lays down the blueprints for following ventures on the label: using old and new gear to create unique, obscure soundscapes both outside of memory and away from nostalgic projections of lost futures. in a timeless and precise collaboration, davy has brought together two historical figures for this release: 1990s r&s records associate david morley mixed the tracks, while simon davey of the exchange lent his renownedmastering skills to the project. temporality, time travel and perception are key concepts for davy, and not only in the ep’s title. the four stripped-down tracks move forwards, sidewards and backwards in a bid to get us lost – not in space but in what time might sound like should we be swimming through it. mysterious and ageless synths mesh with the beats of an unnamed drum machine under davy’s control. we move through a non-linear story told by three distinct forward-thinking techno titles: no memories planned, circular weeks and causal loop. finally, the titular ambient track pans out cinematically over the images left in our heads: an invitation to begin it all again in the long now...

the identity of belgian mystery man beton is a complete mystery to us. what we do know is that twin turbo owner/assistant webmaster tiga has called this record the best release of the past five years. even when you consider that tiga believes he experiences time differently from the rest of us, that still means the soundtrack of your life for the past half-decade has been straight-up garbage in comparison. since most djs wont even listen to a record if they dont like the track descriptions, we realize a lot is riding on the next paragraph. acid-electro bomb directions is a collaboration with wevie stonder, who call themselves an absurdist electronic music collective, which youd have to agree sounds like a lot of fun. meanwhile, keep breathin completely redefines the term pump-bumpin pumper, and features vocals from dance mania ghetto house legend dj deeon. twin turbo keeps puttin hot mp3s in your pocket, offering maximum value for your hard-won digital nickels. as far as we know, youve earned it.

the ecstatic sounds of a fruit machine spewing out winnings or a computer game bleeping a player upwards to the next level chirp and bleep all over ‘true beauty (and other things), a jubilant and chaotic tape from philadelphia’s nah aka michul kuun. his first release under new alias michul kuun, the seven track album lurches between church bells, angsty video game chimes and battered drums (kunn pummelled drums in punk band 1994! in the past). there are flashes of mutated house and techno (“threes, threes, threes” and “written house”) as panicky, stammery rhythm structures are built up, battered down then kicked around. “taking station” seems like it’s going to be the most mellow, almost melodic jam, then rounds off with a solid minute of air horn, before exiting on what sounds like a motorbike through a swooshing traffic for jittery finisher, “follow thruu”. - claire sawers, for wire magazine

max romeo has teamed up with uk based, grammy nominated producer daniel boyle, to create a stunning return to form, roots reggae album with accompanying dub versions. max is noted for his critically acclaimed work with lee scratch perry in the 1970 s, and for his timeless classic songs penned over the last 50 years - such as war ina babylon melt away one step forward and the worlds most sampled reggae song ever - chase the devil . picked up by artists such jay z, kanye west, the prodigy and blockbuster hit movies. max and daniel have teamed up with an all-star cast of musicians to create a true part 2, to max’s legendary, ‘’war ina babylon’’ album. using strictly studio equipment ranging from between the 1950’s – 1970’s, recorded and mixed in 100% analogue format, and presented with stunning artwork in physical format.

here come the james hunter six! serving yet another delicious dish of what you wish with the premier single off their upcoming lp, whatever it takes (dap-051). and i’ll be a monkey’s uncle if james hasn’t delivered two of his most compelling sides to date on this one. “i don’t wanna be without you” is a graduate level course in the three r’s of r&b: rhythm, rhyme, and romance. a sultry rumba sets the mood, as hunter swaggers in – donning his finest voice like a crisp tuxedo, complete with ruffled vibrato and rhyming cuff-links – and proceeds to lay on an absolute heart-stealin‘, deal-sealin’, panty-peelin‘ gem. on the flip, “i got eyes” loosens the collar and brings the metro- nome mark up a few clicks for a punchy tightened-up workout, edged-up with vibes and street corner backgrounds.

after dominating our piccadilly player with his recent lp -it s alright between us as it is-, norwegian disco hero hans-peter lindstrøm drops a dj friendly maxi 12- of brand new track -didn t know better-. harking back to his collaborative lp with christabelle, this party starter is packed with infectious boogie licks, propulsive grooves, soulful strings and killer vocals from ronika. a masterpiece of retro-futurist pop perfection, -didn t know better- traces a line between mirrorball masterpieces from nyc 83, ibiza 99 and ross 128b in the year 2030. alongside the sequined shimmer of the original version, we get an acapella, and a lindstrom remix which piles on the feel good with jingo style pianos, mellifluous keys and some club trop style riffage - utterly infectious and exactly what a dull february morning requires.

there is no doubt that bobby moore is an absolute f***ing legend, and a true icon r.i.p. a hero who lifted the world cup for england at wembley. he is widely regarded as one of the greatest defenders of all time, and was cited by pele as the greatest defender that he had ever played against. a leader of the highest quality and a true inspiration to us all. we would love to say that neil diablo shares these traits and acomplishments but his bewuda ep is tribute enough to one of footballs gretaest ever captians. the ep itself is a remix record , the track is called bewuda, and what a track it is. a 6 min trancy club banger. 808 drums all over the place give it a 90s vibe but with mr diablos signiture italo feel. and what we can we say about his team mates. coyote, tiago & dawn again on the same record.yes please! the coyote boys dont mess around at all. straight into a ravey, sweeping banger.teasing balaerica but keepng it a fully loaded dance floor bomb.tiago does what tiago does. his signiture sunshine vibe oozing out of the track from start to finish. the drums are something to behold and the piano riff drop packs a real punch. and last but not least our mate from melbourne dawn again tears up the track and brings us a classic weird re-triangluation in true banging dawn again fashion. big record from team rothmans for their 15th release!

we all know that when it’s a real vibe you can’t go wrong. if you add talent and hearth to that you got gunpowder for pure bangers. and that’s exactly what we at hoga nord rekord wanted to accomplish with the sixth release of our uk 12 inch series. consequently we contacted jo howard from sunderland in the north east of england. as a producer and dj he uses the alias bird of paradise. smoking weekend is the name of the four track ep.

as mosaic reaches release number 40, steve o sullivan dives into another studio collaboration with his new label mate and expert hand, mike schommer - bringing in the talents of rod modell on remix duties. etching two slices of dub heavy grooves that cover either side of the techno and house spectrum, their first effort emphasises the former on title track -submerged- (b1). it doesn t pull any punches - precision moulded bass takes centre stage around evolving synths and classic delay action. their 2nd -depth charge dub- (b2) leans more towards the latter as the duo focus on the combination of a rolling sub, laidback percussion and subtle stabs that cycle gently around. the cherry on top comes in the form of rod modell s -deepchord s negative-space exploration version- as he takes a 9 min trip to the hinterland of his sonic imagination, elegantly finding new layers and spatial effects. call it what you will, dubbed out house with a splash of techno or dubbed out techno with a splash of house - this is heavyweight material.

parisian producer brice groulier has built a reputation as one of the new guard of techno artists to watch closely with consistently high quality sub aquatic, rhythm shifting techno for labels like semantica, midgar, planet rhythm, and modularz. while looking for music that integrated with our grey area releases, we found ourselves blending more von grall tunes than any other artist, so a horo release was requested. what originally began as a 4 track ep bloomed into an 8 track debut album that sees von grall expand his style beyond the muscular but hazy rhythmic mist he has become known for. the title track infinitum opens the lp like a contemplative bubble. hyper density and inside are pensive, evocative jogs, while emerald city and disturbance ramp up the energy and will be the most favoured floor tunes from infinitum. antonym allegory combines the von grall rhythmic bounce with an emotive pad that will echo in your mind long after listening. motel closes the lp with a quirky, almost joyful flow. infinitum wanders confidently into new ground for von grall and cements him as a versatile and singular voice in techno.

secret lover returns with one that hits all the angles, a record for the lovers and haters, the movers and the dancers? truly a record for the people! now let s say you re home by yourself, pour yourself a drink, pop on your house coat and lay down by the fire, let the tunes take ya over. could get spicy, know what i mean?

killer compilation of difficult to find boogie / disco tracks where leston paul was involved. incl the heavy tunes all nite tonight and everyday life

this sought-after rarity presents a blend of ambient, new-age, 60s inspired folk music. the melancholic lyrics of singer-songwriter suzanne menzel are transformed by danish new-age pioneer, klaus schonnings, futuristic soundscape. schonning, not only produced goodbyes and beginnings, menzel also credits him as giving her the artistic courage to self-release her first and only album. goodbyes and beginnings sits at the cross-section of many genres. menzels voice is as timeless as her heartfelt, somber lyrics. while schonnings synthesizer, organ and rhythm computers offer a playful contrast. the beautiful tension between them creates a fresh, unique sound and makes goodbyes and beginnings hard to categorize even today.

his hard-edged beats, insistent tones, and occasional flash of devious humor make deutschmann a natural addition to the mote-evolver roster: his natural versatility and clear-minded futurism result in compelling club tracks and dj nights, and his mote evolver debut ep lost in a loop is no exception to this rule. with just a simple schematic to work with, deutschmann does what the best producers do and enlivens those simple instructions until they give an illusion of greater complexity.

david-bowie-fans aufgepasst: 2018 gibt es eine remasterte version von »stage«, und zwar als 180 gramm 3-lp-set.

remastered reissue on heavyweight 180 gram vinyl of david bowie’s 1977 album.

east man is a new project from anthoney hart and its material predates his previous work as basic rhythm. his unique take on grime reduces the sound to its steely fundamentals, bringing in influences from dancehall, drum and bass and techno to gird the voices of the mcs he works with. his own name for this hardcore continuum mongrel is hi tek.
anthoney struck a friendship with the academic and theorist paul gilroy, who wrote the album introduction below, after starting personal research on representations of working class and mixed race families. he asked paul for some help after coming across his work via stuart hall, paul’s mentor. their discussions and friendship developed, and it dawned on anthoney that his research and the east man album had some synergy, so he asked paul to write a piece conveying that.

as the wind whistles through your hair, everything passes you by in a blur. faster and faster you go, faster and more terrifyingly into the abyss you fall. you scream with a mixture of panic and joyful abandon half wanting this to never end but knowing that it will anytime now: a smile creeps across your face. and as it ends, you breathe a sigh of relief, wistfully remembering with powerful emotive accuracy before hurriedly joining the back of the queue for another go - after all, it s just a ride. life is very much like the blitzbahn . it goes up and down, round and round and for much of the ride, we never know what s going to happen. here on his fifth studio album, oliver schories explores all the fun of the fair across 13 expansive cuts that showcase his incredible knack for straddling that house/techno mid-point with consummate ease. some artists take years to craft their albums, agonising over every detail before, frustratingly, deleting the whole project and starting again. oliver, however, is as prolific as he is confident of his ability to construct the kind of dance floor bombs that have helped him to build a significant head of steam in the underground.

staub comes back on wax for a third episode. following the no name policy from the parties which started 5 years ago in ://about blank, it is time again for unknown artist to shine. this new ep sees the shy producer appearing on 4 tracks of pristine techno. a1 is an atmospheric trip while a2 is more brutal, on the b side it is going weirder and darker. we think unknown artist tries to craft interesting techno cuts and that he loves variety. that it is the idea behind staub since its beginnings, it does not matter whether you are a newcomer or lady gaga, what matters is the quality of the music. this is what was again aimed with this third record.

this compilation acts as an introduction to this electric, cool and uplifting music that was affecting so many enthusiastic dancers and dj / collectors. all the tracks on here are taken from one of the most prolific and emerging labels for this genre muse records that offered the complete spectrum of styles to fit in with this emerging scene crossing over with jazz fusion, be bop, vocals, electric keyboards, and percussion.

what starts out as a lavish train ride through europe quickly unfolds into one of the most stylish, suspenseful and thrilling mysteries ever told. from the novel by best-selling author agatha christie, murder on the orient express tells the tale of thirteen strangers stranded on a train, where everyone s a suspect.
one man must race against time to solve the puzzle before the murderer strikes again. kenneth branagh directs and leads an all-star cast including penélope cruz, willem dafoe, judi dench, johnny depp, michelle pfeiffer, daisy ridley and josh gad.
the score is composed by multiple award winner patrick doyle. (donnie brasco, thor, harry potter and the goblet of fire)
the 2 lp set of murder on the orient express is pressed on blue 180 gram vinyl. this limited edition of 750 individually numbered copies contains a 6-panel booklet with exclusive pictures and liner notes on one side and a poster, the image of the train, on the other side. look out for secret inscriptions in the run-out groove, clues are everywhere…

2018 repress incoming!
dispatch recordings is proud to count the manchester legend among its ranks from now on. you cant have missed one of the numerous top notch sounds he’s been providing throughout his long career. he is now gathering a forward thinking and historically self conscious music that we could easily define as pretty unique in its genre. the soul:r boss offers us this time a really valuable glimpse of what d&b should be nowadays: inventive, energetic and technically perfect. when all these elements meet the great sense of groove of the big soul master, you have a result you can genuinely be happy with. so are we.
dj support from: ant tc1, rob da bank, calibre, artificial intelligence, doc scott, fabio, marky, dbridge, rockwell, octane & dlr, need for mirrors, dabs, lenzman, survival, youngsta, skeptical, to name a few.

when it comes to dedication to drum and bass, industry heavyweight audio is just about as committed as it gets. from his long-standing reign in the scene to his drum and bass tattooed knuckles, audio has always been held in high regard in the genre - and for good reason. now returning to blackout for his new ep, audio gives us a taste of the rat race as he brings us one of his most hard-hitting works yet.
hailing from the uk, audio has immersed himself in the world of drum and bass for the past 15 years, releasing four albums, racking up countless 12 inches and gracing the very best labels in the business (virus, blackout, ram records). his production is clean, sharp, powerful and every bit as impressive as the producer’s own passion when it comes to going the extra mile.
the rat race ep is a slice of explosive, unadulterated drum and bass that packs a punch. in other words, it’s exactly what you can expect when two powerhouses such as blackout and audio re-align.

body music album teaser is produced by a man who needs little introduction. thomas p. heckmann has flexed his prowess across all shades of electronic music, but it’s his contributions to ebm-techno, acid, industrial, and experimental that has earned him his notoriety.
heckmann has utilised 30 years worth of acquired knowledge to create a hard-hitting album and teaser which bears all the grit he is known for - harmonising analogue and digital wares to create an utterly immersive 14 track album. this 3 track teaser gives you a taste of what is to come.

following our first release with opal, which aimed at the dance and the bodies, we wanted with this second ep to reach to people’s mind. as a geneva-based techno label, it was fundamental to work with our local hero: opuswerk. he’s already been working outside of the country with artists like francois x and labels such as arts, semantica or dement3d. it was time we involved him in our project. through this ep, opuswerk clearly shows what he knows and does best. much like his dj sets, he connects dots and layers in unexpected ways, like a rhizome connecting different multiplicities. inspiration for the original tracks came from designing systems of independent yet connected sounds, where events are triggered, un-triggered and alter other events, each behaving on their own. as one of those elements, the artist acts as a guide, directing them from one place to the next acting as and with the machines. the -mot d’ordre- is about becoming one of the machines, blending techniques with vibes and catching them like ever escaping dreams. the result is two uniquely sounding spaces, either filled with raw energy like on extensum or with subtle and serene ever-evolving bleeps on spatium. those two extremes are fitting to how we want present the multiple dimensions of our artists works to the world. the same logic went into choosing the remixers, with whom opuswerk had a human connection with. inland and antigone need no introductions, having both established their sound on labels like countercharge or token. each brought their own re-interpretations of the original tracks bringing them closer to the dancefloors.

the mall grab helmed steel city dance discs returns with four club fuelled jams by australian newcomer loods.

these things take time keep it close to home on their 3rd release to wax. the split ep with b. hayes and the enigmatic dj dre debuting what the flora sound truly means.
a1 leaves no further introduction with dance floor stomper with abnormal percussion that keeps it outside the box. following in the shared a side comes b. hayes’s wax debut with ‘inside the outside’ delivering wavey synth line splashing over a relentless electro pattern leaving just enough room for the bright, refreshing female vocal. dre’s ‘215’ kicks off the flip keeping the determined drum vibe present around smooth glittery 808 patterns.
‘flora’ closes out the ep with deep hearty kick blending truthfully under a kinky nonstop bassline moving through each threshold. true to tha philly sound, true to tha flora sound.

m-twelve is a new collaboration between tortured and electrix label owner, billy nasty and nick dunton of surface records, 65d mavericks fame and more recently, poverty is violence label. taking their name, m-twelve, from the iconic fred perry t-shirt, the pair decided to combine forces based on a love of techno and electro, their strong friendship and many late night conversations in the back rooms of various nightclubs. they started recording together last year and the ‘apocalypse in paradise ep’ is the first signs of their monthly meetings at what’s been dubbed, “dunton abbey studios”. the ep features their two original cuts of beautifully crafted emotional electro, the warm and glittering ‘all the things’ and ‘time spent’ with it’s deep narrative and tough machine groove. in addition, remixes of ‘time spent’ come from sync 24 (scand / cultivated electronics) who delivers an energetically fuelled reworking and electro veterans, transparent sound with a stripped and stomping acidic version. billy and nick have also just started work on remixes for tracks by london modular alliance and mr velcro fastener, so expect to hear more of their m-twelve work over the coming months.

mix righteous fuzz guitar, bad-ass keyboards and ecstatic african rhythms and what have you got? celebration by aktion - a slab of of heavy afro-funk-pysch-rock from the hardest working band in 70s nigeria.

an essential 2 x 12- overview of some of the legendary frankie knuckles trax classics.
what else needs to be said? one of the godfathers of our scene, a true classic himself, frankie behind the wheels or behind the boards was simply top shelf all the way down the line. a real original whose influence and touch can still be felt today. his releases on trax at the time were the hottest things ever and they still resonate on the dancefloor today with equal measure. featured here are some of the best tracks fusing frankie s love of disco, euro-pop, italo and more produced in his initial mid to late 80 s golden period. cuts like baby wants to ride , bad boy and more, featuring the unmistakable vocal talents of the equally legendary jamie principle. it s all here. the perfect starting point for those who have recently discovered the man and his body of work, or equally as stimulating for those who wish to have some classics in their collection. each track is a classic, each one stands up today and effortlessly rocks the club. remastered in conjunction with trax, repressed from the finest audio sources available. often imitated, never replicated!

italys legendary dream team enrico mantini, flavio vecchi and nudge joins forces for the first time in bologna to deliver an exclusive deep house anthem which will surely mark many afterparties around the globe. nudge boys complete the job on the b side with two lovely moody yet proper house cuts!

the next release from sol asylum was uniquely crafted between julie marghilano and illustrator olga olkaosadzi&#324,,,ska. in this collaborative effort each artist found inspiration in each others work to create and finalize their vision of this release. conjuring beats from the mpc paired with modulated violin and synthesis, julie added a modern twist to the music that originally inspired her to create electronic music. expect the unexpected with the ep titled mercury jasmine and open up your imagination to what flowers would sound like on distant planets.

neues soloalbum von johnny jewel, kopf der chromatics und glass candy, sowie betreiber des new yorker kultindies italians do it better. nach intensiven kollaborationen mit filmemachern wie david lynch (-win peaks new season), nicolas winding refn (drive) und ryan gosling (lost river), veröffentlicht jewel nun mit digital rain ein album voller sinnlich-warmer, analoger electronica. aufgenommen in joshua tree, abgemischt in los angeles und geschnitten vom legendären mastering-engineer bernie grundman in hollywood.

the 2011 debut album from gregory porter back on double vinyl, housed in a gatefold sleeve. includes the original version and opolopo remix of “1960 what?”.

kadena - multi track version parts 1 and 2. which are un released stripped down versions .- sampled by ghetto boys -mind playing tricks on me- rap hip hop classic. stands out the most what i love about this song, guitars are the main hook, the horns sections stripped out, plus added guitar solo on part 2 breaks it down for that heavy soul , funk fuzz..

initially released on sonia e. pottinger s highly respected high note records in 1981, sonya spence s sings love lp was relatively overlooked at the time her album came out. sent on her final journey in 2007, the one-woman band leaves us with a legacy of exception. however, time and a small first pressing has made it an object of desire for collectors, deejays and lovers all around the world. and, though it was shamelessly bootlegged throughout history, it is the first that time that this bliss of an lp gets the official reissue treatment on wax, with the love and respect it deserves. beyond classic tracks let the flow on baby, where is the love and the reggae gem fantasy, this 10-tracker abounds with treasures, some of which cannot be found on the internet.